Download Kumpulan Lagu Mp3 Terbaik Sheila On 7 Full Album The Very Best of Sheila On 7: Jalan Terus (2005) Lengkap - Jumpa kembali para sahabat para pecinta lagu pop-kenangan jadul dimanapun kalian berada semoga sehat selalu. Ketemu lagi dengan selagump3 yang akan membagikan lagu mp3 terbaik buat kalian semua, tentunya lagu-lagu paling hits dan populer.
Four lavish cuts drawing on classic funk, soul and disco make up this EP from Derby's Ant Plate, better known variously as Yse, Yse Saint Laur'ant or Rhythm Plate. 'Just As Bad As You' is a midpaced cut that tops a pulsating funk groove with soaring brass and a full-lunged female soul vocal. 'The Prison' is a mellower, more cinematic affair with a spoken vocal, 'I Know I've Been Changed' is an upbeat stomper on the house/disco cusp and finally 'New York Paris' sees us back in soundtrack-y territory, conjuring images of a late-night cab ride through late 70s mean streets. Earlier in the year, Italian-Australian producer Dave Mathmos sent many hearts fluttering via a killer EP of mid-tempo reworks on DJ Supermarket's Too Slow To Disco edits series.
This time round he's in a more up-tempo mood, with opener 'Why Don't You' offering a peak-time ready, house-friendly rework of disco classic 'Spread Love' that allows the original vocals, horns and orchestration plenty of room to breathe. 'Colinandro' is similarly weighty and upbeat, with Mathmos sprinkling a little contemporary dancefloor magic over a downlow disco-funk workout. Elsewhere, 'The Dude' is an excellent pitched-down revision of another heady slab of disco-funk, while 'Sexy Tortellino' is a mid-tempo bubbler that layers dubbed-out snippets from a familiar disco-funk favourite over a chunky, locked-in groove. Since first tickling our fancy with a killer EP on Better Listen, Chevals has gone on to release similarly impressive outings on Whiskey Disco, Kolour Ltd and Masterworks Music.
Here the fast-rising French producer makes his Editorial bow with another fine four-track salvo of beefed-up, house style re-edits. He hits the ground running with 'Left Behind', a glassy-eyed loop jam that layers slightly sped-up soul/R&B vocals onto a mid-tempo '80s soul groove.
Elsewhere, he delivers a house style revision of a summery jazz-funk number on 'I Of Love', while EP closer 'Time' is sumptuous, bass-heavy, heady and loved-up in the best possible way. It's been three years since the last installment in the 'Giant Cuts Presents' series, so this fiery and funky four-tracker from Mexican hero Hotmood is long overdue. He's naturally in fine form, brilliantly joining the dots between loopy disco edits, James Brown and groovy deep house on tasty opener 'The Rhythm Is There', before serving up a slightly deeper flavour of disco-house on the dewy-eyed bounce of 'My Darling (Dina)'. Doc Jam does his best Tiger & Woods impression on his loopy and life-affirming house revision of 'The Rhythm Is There', while closing cut 'Tropical Space' is an inspired fusion of jazz-funk, disco-house and evocative tropical jazz samples that's as summery as test match cricket, family barbecues and disappointing package holidays to half-built Spanish seaside resorts.
The brilliantly named Record Playerz, whose true identity is shrouded in secret, come(s) to the achingly hip Midnight Riot. In its original form, 'Hi NRG' pays tribute to the short-lived early 80s sub-genre of the same name: the BPMs might have dropped but the stuttering drum machine beats, analogue synths and vocodered vox are all present and correct.
The In Flagranti Remix tones down some of the 80s excess and adds some lively percussion, but the standout here by far is the remix from Yam Who?, which could take the track to more straight-up house/disco floors. Foreal People is not an alias that Dave Lee AKA Joey Negro uses that often these days, but back in the late '90s he served up a string of singles under the pseudonym. Here one of those singles, 1999's GQ cover 'Shake' featuring vocalist David Grant, is given the remix treat by contemporary disco and house hero Dr Packer.
His opening 'Re-Shake' has a groovier, looser and warmer vibe than Lee's '99 original, being closer to the sound and feel of GQ's 1982 track (albeit with a few choice contemporary touches and occasional dub style effects). Packer's instrumental revision is naturally even more delay laden, though it's more of a straight vocal-free take than a wild late night dub. Either way, it's rather good.
Should you require an introduction to the camp, sleazy and synth-heavy world of 1980s Italo-Disco, this superb set should be an essential purchase. It naturally includes some highly influential and classic cuts - see Mr Flagio's throbbing 'Take A Chance', Charlie's intergalactic 'Spacer Woman', and a track that helped inspire the Chicago house movement, 'Feel The Drive' by Doctor's Cat - alongside a clutch of rarities and lesser-celebrated workouts such as Mr Mine's 'Hypnotic Tango', Clio's 'Faces' (which sounds like much of the Pet Shop Boys' debut album, 'Please'), Wet's 'That's The Game' and the Latin-influenced, horn-heavy strut of Vivian Vee's 'Remember'. Without fail, Futureboogie Recordings' annual 'Summer Riot' EPs are always amongst the Bristol-based imprint's finest releases of the year. This year's edition - the eight in total - is no different. It's five floor-friendly cuts include a locked-in chunk of late night techno hypnotism by A Sagittarian (undulating opener 'Machine Elf'), a raw and wonky, mind-altering analogue house jam full of Yellow Magic Orchestra style computer bleeps (Red Flower Union's 'Natural Self') and a piano-sporting chunk of old school house revivalism from Statue ('Ivory').
Manchester producer Neil Diablo hits the spot with the starburst Italo-disco chug of 'Colorado', while Kincaid gleefully dances through New York freestyle and Bobby Orlando style hi-NRG on EP standout 'Bulfas'. Four rock/indie-leaning nu-disco re-edits here from Mexican producer Mufti. 'Century' takes the 80s guitar barrage and half-spoken/half-sung vocal from an unknown original and places them atop a chugging rhythm, augmented by plinky-plonk electro synths. 'Fata Morgana' draws on 80s alt-pop (Furniture? The The?) as source material, 'Lock Stock And Barrel' is more your standard-issue nu-disco chugger (but again with an indie-style male vocal) and finally 'Before Long' reworks an unidentified 80s coldwave/synth-pop original.
It would be hard to describe any of the four as essential but they'll go down well on kitsch-y, student-y floors, and Mufti deserves credit for digging deep for source material. For their latest tidy trip into re-edit territory, Rare Wiri has turned to the undisputed talents of synthesizer-loving nu-disco don Ilya Santana and label founder Rayko. The latter offers up some chunky, delay-laden P-funk thrills in the shape of 'Revenge of the Rare Wiri', before returning later in the EP with the eyes-closed rock style guitar solos, thickset synth bass and swirling female backing vocals of poodle perm-sporting mid-80s MTV wig-out 'Demons'. Santana charges off on an Italo-disco flex on the arpeggio-driven, synth-sporting sleaziness of 'Angie', while closing cut 'Dreams' is a pitched-down shuffler laden with robotic vocoder vocals, bold synthesizer riffs and more pulsating, arpeggio style bass. St Petersburg's Sunner Soul invites us into his 'Discotheque', a place where sweet disco strings, groovy basslines, swirling filter effects, bumping house beats and hazy electric piano chords join hands on the dancefloor.
As usual, there's plenty to enjoy, from the breezy disco-house elasticity of 'The Mystery of Loops' and hazy, rush-inducing positivity of 'Way Back Time', to the jazzy deep house shuffle of 'Broers Vergadering' and extra-percussive, dubbed-out disco brilliance of 'Pleased With Oneself'. The pick for peak-time plays is undoubtedly opener 'Back To Loving', a spiraling disco-house romp that rises and falls in all the right places. The 80s electro force is strong in this one! Parisian producer serves up a retro-tastic cut featuring New York hip-hop pioneer Afrika Bambaataa, whose 'you are on my radar/I control your mind' vocal is alternately fed through a vocoder and served dry.
The Original, Bonus Beats and Adesse mixes are pure nostalgia, Dimitri From Paris looks to Italo-disco and early Chicago house for inspiration on his remix, the Borussia Remix has a slightly more contemporary, footwork-y feel and Deen Abdelwahed's remix takes the track into more jagged indie-dance territory, like Nag Nag Nag had never closed. Known for his work on Midnight Riot, Sound Exhibitions and Disco Fruit, among other labels, here London-based Argentinian producer Fabiolous Barker comes to the Katakana stable with three very fine re-edits. 'Only Fools Fall In Love' is a midtempo groover with female vocal harmonies, subtle guitar chops and an overall early 80s boogie vibe, 'Sending My Love' centres around a full-phat funk bassline and the Cameo-esque male 'sending my love from me to you' vocal, while finally 'Weakness' has a male scatted vocal and tinkling keys. The source material has our disco detectives beat this time out, but all three are eminently spinnable. Four months on from his last outing, Guillermo 'Hotmood' Gonzalez returns to the Discoweey label he established in 2018 with another two-track treat. Opener 'Disco Love' is a bouncy peak-time treat, with Gonzalez adding bumpin' house beats, mazy synth solos and lashings of production trickery to an on-point rework of Donna Summer classic 'Love To Love You Baby'. In contrast, virtual B-side 'Four On The Floor' provides a rolling and locked-in interpretation of a fine slice of jazz-funk/disco fusion rich in evocative electric piano solos, Herbie Hancock style synthesizer wizardry and hazy spoken word samples.
Curiously, we'll have to wait a while to hear the original version of Fabiolous Barker's latest release, 'Grip My Hips', as it's not scheduled to appear in stores until late September 2019. Instead, the London-based Argentine producer has decided to serve up a remix package first.
He kicks things off with a throbbing 'Dub' mix that sees flash-fried, rush-inducing vocal samples and Nile Rodgers style disco guitar riffs rise above a masculine groove reminiscent of Lipps Inc classic 'Funky Town'. Fray Bentos takes over and offers up a fine disco-acid take full of psychedelic TB-303 lines, before RobJamWeb delivers a deeper, Italo-disco style take that's deliciously warm and woozy. Arguably best of all though is the mind-altering disco-tech stomp of Disco Funk Spinner's all-action 'Club Mix'. Known to his mum as Larry Holman, Get To Know's Facebook page describes his musical influences as '80s boogie, disco, indie and house', and it's fair to say that you can hear all of the above in his latest offering. 'Better Love' is supplied in four mixes: the Radio Edit has naturally been shaped to emphasise the track's poppier elements, the Club Mix will suit more commercial floors, the Babert Remix takes things a little more underground with a throbbing 80s bassline while the standout rub comes from Cuz Electric, who drop the tempo and concentrate even more on the bottom end.
More from the wonderfully named Monsieur Von Pratt, a popular re-editor who recently impressed via rework EPs on Tropical Disco and Mandrill Cuts. He begins his first Masterworks Music outing with the P-funk influenced power-pop/heavy electrofunk vibes of 'The Real Thing', before giddily dancing towards smoother boogie territory on EP highlight 'The One'. Those looking for tougher, more raw-sounding flavours should check the 80s soul/electrofunk fusion of glassy-eyed peak-time workout 'Come On Feel Your Love', while tasty closing cut 'Mi Amor' sees our scalpel-sporting hero successfully turn his attention to an early 80s tropical disco workout rich in Chic guitars, heavy percussion, rubbery bass and sleazy synths. Timewarp man Angelos Stoumpus is a hard man to second-guess. He has a passion for turning his hand to different - if complimentary - styles, regularly switching from electro, funk breaks and disco to deep house, downtempo grooves and even dusty ambient.
On his latest album-length excursion, Stoumpos effortlessly joins the dots between warming house, intergalactic jazz-funk, dark and spacey percussion workouts, acid-fired techno-jazz, trance-inducing space disco and grandiose ambient techno. It's an unusual but hugely entertaining fusion of sounds and styles, with highlights including 'Into The Drum (Fast Version)', 'Hukuro' and the sweaty 'Morning Drums (Remix)'. Pizzico co-founder Billy Bogus (real name Niccolo Bruni) is clearly a fan of Milanese 'selector and music producer' Tagliabue, because he's asked the rising star to remix some tracks from his 2018 album 'VHS Memories'. Tagliabue first tackles 'The Precinct', re-imagining it as a throbbing, pulsating voyage into chugging psychedelic disco rich in razor-sharp electronic motifs, druggy arpeggio style bass and mind-altering acid lines. He next turns his attention to 'Libyan Bikers', offering a similarly wonky and brain-melting revision that also boasts a touch more muscular funk, before gobbling handfuls of hallucinogens in order to wrap trippy lead lines and skewed electronic motifs around a curious rhythm track on a fine rework of 'Spiaggia Cannibale'. As you'd expect from the co-founder of the on-point Permanent Vacation label, Benjamin Froehlich has assembled a stellar cast of producers to remix tracks from his recent debut album 'Amiata'. Massimiliano Pagliara's 'Telephone Call' mix of 'The Big Sun' is a wonderfully cheery chunk of thrusting Italo-disco/nu-disco fusion, while Rhode & Brown's take on 'Tivoli' pushes the track further towards hypnotic tech-house/nu-disco-fusion.
Pantera Krause channels the spirit of the Pet Shop Boys circa 1987 album 'Actually' on a triumphant version of 'Memory FM' and Cornelius Doctor fuses Italo, acid and freestyle on a killer revision of 'Secret Alphabet'. Best of the bunch though is Jex Opolis's remix of the same track, which cannily joins the dots between acid-funk, proto-house and mid 80s New York disco dubs.